Browse Items (68 total)
Sort by:
"Charlotte Cushman," Harper's Bazaar, Nov 14, 1874
The article summarizes Charlotte Cushman's "brave career." According to the author, Cushman could "exhibit her grand queenliness, her womanly sweetness and dignity." Cherishing most of her performances, the article criticizes the applause she…
"Charlotte Cushman," Harper's Weekly, March 4, 1876
Almost the same wording as in the Harper's Bazar article from Nov 14, 1874. The excerpt also includes the foreign gossip column.
Credit
American Antiquarian Society
"Charlotte Cushman's First Appearance in England," Harper's Bazaar, March 18, 1876
James H. Siddons gives a very intimate account of Charlotte Cushman's rise to success in England and describes her struggles and strategies, including a press network and behind-the-scenes accounts.
Maddox is characterized as a capitalist,…
"Grace Greenwood in Italy," New Hampshire Statesman, Apr 16, 1853
The article includes an excerpt from a "private letter" and remarks that, in London, Greenwood "was the frequent guest of eminent literary and noble personages, her sketches of whom have added much to the value of her letters." Rumors about her love…
"Miss Charlotte Cushman," Gleason's Pictorial Drawing Room Companion [1851]
The article traces Cushman's rise to success in Europe, mentioning her tours with Macready and the social circle she has formed: "In private life, she has won many warm and influential friends. Among the British aristocracy, her purity of diction and…
"Miss Cushman's Romeo", Era, June 21, 1846
This article is a detailed review of Charlotte Cushman's performance as Romeo. The critic expresses his dislike for the performance and deems it far from satisfactory. Cushman is criticized for failing to embody the youth and character of Romeo…
"The Independent Lecture Course," Albany Evening Journal, Nov 26, 1862
An article announcing Greenwood's independent lecture about personal recollections from Washington, London, and Rome, referred to as "charming gossip." Meanwhile the paper emphasizes the artistic and literary content from Rome and London, while the…
"The Queen Loves Bare Shoulders," San Francisco Examiner, Mar 28, 1886
The San Francisco Examiner publishes one of Greenwood's letters. In a witty account, Greenwood comments on the royal etiquette.
Credit
Newspaper.com
"The Theatres", Era, Jan 4, 1846
This is a long, detailed review of Charlotte and Susan Cushman's performance of Romeo and Julietat the Haymarket Theatre in London. The review contains high praise of Charlotte Cushman and her talents as an actress and the Cushman sisters' appearance…
Haps and Mishaps Review, London Athenaeum, Nov 18, 1854
The reviewer belittles Greenwood's admiring accounts of well-known people in her Haps and Mishaps of a Tour in Europe. The author criticizes her for misinterpreting certain conversations.
Credit
Hathi Trust
Romeo and Juliet Performance, Haymarket Theatre, London, Dec 30, 1845
Charlotte Cushman performs as Romeo and her sister takes over the role of Juliet.Cushman's performance as Romeo is generally met with wild enthusiasm. There were, however, also critical voices, among them Mary Russell Mitford (1787-1855). Mitford was…
Boston Evening Transcript, Nov 16, 1843
The false reports that Macready referenced in his diary entry spread further.
Credit
Readex: America's Historical Newspapers
Letter from Charlotte Cushman to Emma Crow Cushman, Aug 20, 1869
Cushman has been restricted to bed by her doctor's orders. After a night's rest, he has found the breast hard but intends to consult a professor of surgery before he proceeds.She regrets that Emma's Nannie will not stay with her in Malvern and…
Letter from Charlotte Cushman to Emma Crow Cushman, July 25, 1869
Cushman thanks Emma for the photographs she sent, especially the one of Carlino, which she put in a locket. She jokingly states that Carlino might rival Wayman as the most handsome of the family one day. She asks when Emma and her children will visit…
Anne Brewster's "Miss Cushman," Blackwood's Edinburgh Magazine, Aug 1878
Anne Brewster describes the relationship between herself and Charlotte Cushman starting at the beginning of the 1840s as an "intimacy" and "intimate friendship". Together they were reading plays and preparing for Charlotte's performances on stage.…
Athenaeum, Cushman Mentions, Jan-June 1845 (Vol. 1)
Excerpts from the Athenaeum issues from the first half of 1845, which mention Charlotte Cushman;The passage praise Cushman as a versatile genius on stage despite at times gender-bending practices. The first volume of 1845 shows how the British press…
Byrne's Gossip of the Century: Personal and Traditional Memories (1892)
A retrospective account of Cushman as actress and of her private life: The Memories serve as a good example for how the public image changes after Cushman's death and her success as an actress is being forgotten step by step.Gossip of the Century…
Criticism of Cushman's Performance as Romeo, May 29, 1847
Article or chapter that is dismissive of the Cushman sisters performing Romeo and Juliet; The article describes the 1845 performance as "disgustingly monstrous grossness of such a perversion" by the "transatlantic sisters." Without mentioning their…
Featured Item
Charlotte Cushman
Charlotte Cushman becomes widely known on both sides of the Atlantic as the first successful US-American actress. Earlier, she was a singer under the tutelage of James G. Maeder, married to actress Clara Fisher, in Boston. Charlotte has been the sole financial support of her mother since her father…