Browse Items (292 total)

  • Tags: press coverage

Farewell Performance: As You Like It, May 9, 1852

Farewell Perfomance. National Theatre, Portland. 1852-03-08.CCP 15.JPG
There are more farewell performances to follow.

Poem by Cushman about Macready, The Anglo American, Jan 1844

The Anglo-American_Macready Poem by Cushman (1 Jan 1844).pdf
Cushman writes that poem in December 1843 and publishes it in January 1844.
There is no diary entry from when Charlotte Cushman published her poem about Macready. Between Dec 1843 and May 1844 Charlotte Cushman is not mentioned in Macreadys diary.

Howitt's The Miss Cushmans (1846)

1846. People's Journal. NYPL Stead Article. Howitt about Cushmans.pdf
In this biographical article, Mary Howitt recounts events from Charlotte Cushman's life and emphasizes her personal virtues, her talent on stage and the struggles she faced in her career. She describes Cushman's long and painful struggle to success,…

Waters's Charlotte Cushman (1882)

Cushman Actor Series.png
The biography is part of an American Actor Series. It focuses on Cushman's stage career and includes letters, lists of performances and casts, advertisements of Cushman's performances, as well as articles. The Fields are, for instance, not mentioned.…

Bradford's "Charlotte Cushman" (1925/1932)

Bradford_Biography and the Human Heart. 1905. Cushman.pdf
In his biography Biography and the Human Heart (1932), Bradford republished the article (The North American Review, Vol. 221, No. 827 (Jun. - Aug., 1925)) as a chapter. Other biographical chapters covered Walt Whitman or Henry Longfellow, for…

Howe's Memories of a Hostess (1922)

Howe edited some of Annie Fields's diary entries. Some entries refer to some events and letters that are part of the Fields Papers, which can also be accessed in this collection.The diary entries mention Stebbins as Cushman's "guest[]," and Cushman's…

"Letters from the Capital," by Grace Greenwood (National Era, 1852)

1852. National Era. Greenwood about CC.pdf
Grace Greenwood offers a glowing review of Cushman's performances in Washington, D.C. (as Romeo and Rosalind respectively) that stresses the sexual undertones of her audience's attraction to the actress (e.g. "She compells your half-bewildered…