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Letter from Charlotte Cushman to Emma Crow, Sept 12, 1860
Cushman is anxious that Emma Crow may lose letters that Charlotte sent: "I don't like such dear letters addressed to me to be lost. or be sent to the Dead letter office. If any 'unscrupulous person or persons' should find it. my reputation might be…
Letter from Helen Hunt to Charlotte Cushman, Oct 28, 1874
Helen Hunt is unsure of whether Charlotte Cushman received her note in Boston, since she did not know the exact address. Helen Hunt mentions that Cushman is leaving for California and Hunt inquires about when exactly that will be, being optimistic…
Letter from Byron Smith to Unknown, Aug 31, 1894[?]
Talking of Charlotte Cushman, Emma Stebbins and Sallie Mercer, Smith mentions several letters and notes, among which are some that were destroyed by him. Byron also mentions Sallie Mercer's (recent?) death. CreditLibrary of Congress, Charlotte…
Letter from Charlotte Cushman to Annie Fields, Dec 25, 1860
Cushman describes Emma Stebbins as her "much better half" and her "darling." She tells Annie about their stressful journey to NYC and about a favorable article about herself that she encountered. She desires "a likeness of Emerson. with his own…
Mrs. Walker's Reminiscences of the Life of the World-Renowned Charlotte Cushman (1876)
The biography traces Cushman's successful career and mentions many business partners and friends. However, it excludes every references to Cushman's same-sex relationships. It is published after Charlotte Cushman's death.The Cushman-Macready-…
Cushman's first professional appearance as Countess Almaviva in The Marriage of Figaro, April 1835
On April 8, 1835, Cushman made her debut on the stage at the Tremont Theatre in Boston in the role of Countess Almaviva in The Marriage of Figaro. While Cushmam's performance seemingly betrayed her nerves, contemporary reviews praised her…
Letter from Charlotte Cushman to the Fields Family, [c. Sep 1860]
Cushman asks James Fields to make Ned "a bookseller of '[his] school'" so that he will be better educated and make Emma Crow "a more satisfying companion." Credit
Huntington Library, James Thomas Fields Papers and Addenda
Letter from Charlotte Cushman to Annie Fields, June 29, 1873
The commissioned sculpture of an angel in Central Park, created by Emma Stebbins, was met with ridicule by several papers. Cushman urges Annie to help her act against this slander. Fields could help to "destroy the effect of this dirty article" in…
Letter from Charlotte Cushman to the Fields family, Apr 16, 1872
Cushman suffers from her strained vocal chords, a cancelled reading event, and the resulting financial loss. She draws James Fields's attention to a 'Peace Saga' that Cushman wants him to publish in the Atlantic. She explicitly mentions that she…
Letter from Charlotte Cushman to Annie Fields, Nov 27, [1871?]
Cushman asks James Fields for a favor on behalf of Stebbins who was upset about the "lack of applause" at a performance at the theater. Fields should print a comment in the [Boston Daily?] Advertiser or [Boston Daily Evening?]…
Letter from Charlotte Cushman to Annie Fields, Jan 5, 1871
Cushman informs the Fields family about her plans of traveling and her looking for a house for Emma Cushman. Her fondness for the Hunt family, in addition to her indecisiveness about whether she should retire from the stage or go back to it, are…
Boston Daily Advertiser, Charlotte Cushman, Feb 19, 1876
The article is an obituary published one day after Cushman's death. It praises the actress and her achievements and performances. Additionally, it speaks about Cushman's relationships with women as her "power of attaching women to her."In 1871,…
Letter from Charlotte Cushman to James Fields, July 15, 1868
Cushman has sent packages to London and mentions an essay (written by Elizabeth Peabody as indicated in a letter from Cushman to Annie Fields) about the genius of Hawthorne which may encourage more public attention to the Marble Faun. Cushman…
Tags: public image (active), Rome, travel/touring
Letter from Charlotte Cushman to Annie Fields, [1865]
Charlotte Cushman mentions the Sanitary Commission and asks the Fields for help in terms of advertising a performance of her as she aims at collecting money for the charity. In particular, she asks Annie to send James to Ticknor Jr., as Chushman…
Wemyss's Twenty-Six Years of the Life of an Actor and Manager (1847)
Francis Courtney Wemyss is an actor and theater manager. The entry for Cushman envisions her as a business woman that cleverly paved her way to success by acquiring knowledge about the profession of an actress and the respective people involved in…
Edmund Burke Fisher
Fisher works as an editor and writer, for the New Yorker among others. He regularly presents himself as an admirer and suitor of Cushman. He actively shapes her career by facilitating business contacts and expanding Cushman social capital.
Cobbe's Italics: Brief Notes on Politics, People and Places in Italy (1864)
Among others, the text mentions Hosmer and Cushman. Cobbe describes the Cushman household as a "women club."
Credit
Hathi Trust
Letter from Charlotte Cushman to Emma Crow, Mar 31, 1858
In this letter, Charlotte reassures Emma of her love. She promises to visit Emma soon. Charlotte mentions Harriet Hosmer who is trying to find a winter residence in Rome for Cushman. At the end of the year, Charlotte would eventually move to Via…
Stillman's The Autobiography of a Journalist (1901), Vol. 1
Charlotte Cushman is mentioned on pages 359-365.Cushman and her "clique" (365) included Miss Stebbins, Harriet Hosmer, "and one or two others of lesser fame" (359).He states that she used her fame or even Stillman (critic) to denounce other sculptors…
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Charlotte Cushman
Charlotte Cushman becomes widely known on both sides of the Atlantic as the first successful US-American actress. Earlier, she was a singer under the tutelage of James G. Maeder, married to actress Clara Fisher, in Boston. Charlotte has been the sole financial support of her mother since her father…