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- Tags: women's jobs
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"Charlotte Cushman: The Story of Her Love as Told by Celia Logan," Lowell Daily Citizen, Aug 14, 1877
Celia Logan cleverly positions herself as an actress who performed with Charlotte Cushman on stage. This joint engagement allows her to present herself as having had access to intimate knowledge about the actress and her relationships to two men,…
Cobbe's "What Shall We Do with Our Old Maids," Fraser's Magazine (1862, reprinted as "Essay II" in Essays of the Pursuits of Women 1863)
Making a case for women's education and professional training, Frances Cobbe dismisses the derogatory use of the term "old maids" which addresses mostly those women who never marry. This latter status means 'celibacy' for these women. She favors the…
Tags: gender norms/bending, women's jobs
Letter from Robert Browning to Isa Blagden, March 18, 1865
In a patronizing manner, Robert Browning speaks of the letter from March 3, 1865, tat he received from Matilda Hays: "Miss Hays wrote to me for my signature to her petition for a literary pension: I thought it about the coolest proposal I remember,…
Tags: gender norms/bending, women's jobs
Letter from Matilda Hays to Robert Browning, March 3, 1865
Matilda Hays writes to Robert Browning to convince him of her writing skills and career by including her "memorial." She mentions Charlotte Cushman in the context of her short stage career after which she traveled as a "companion" with Charlotte.Hays…
Emma Crow Cushman's Memoir about Charlotte Cushman: "A Memory" (1918)
Emma Crow Cushman emphasizes that she knew Charlotte Cushman "intimately." Emma and Charlotte met in 1858 when Charlotte brought two letters of introduction (by Hosmer and Kemble) to her father in St. Louis. Emma describes her as a "great artist and…
Letter from Kate Field to Cordelia Riddle Sanford, March 1860 (excerpt)
Kate Field tells her aunt about a lively evening she spent in the compancy of Harriet Hosmer and Emma Crow. She also mentions that Charlotte Cushman is en route to England and that Emma Stebbins is making progress on her Lotus Eater (the sculpture is…
Tags: Rome, women's jobs
"Masculine Women," Liberator, Jan 15, 1858
Mrs. Frances D. Gage criticizes an article in the Home Journal about the masculinity of women in jobs associated with men. She publishes her article in the Missouri Democrat, the article given here is a reprint, and takes Harriet Hosmer as her prime…
"Miss Harriet Hosmer," Liberator, Nov 20, 1857
Child praises Hosmer as a genius and comments on her being a woman sculptor among so many men in this profession. Child gives a definition of 'society' and its norms and counters arguments that have depicted Hosmer disparagingly as a 'masculine'…
"The Education of Our Girls," Vermont Chronicle, Aug 8, 1868
Grace Greenwood takes Harriet Hosmer as a prime example of an unconventional education that has made her a strong a celebrated woman. Greenwood bases her account on her own experience and acquaintance with Hosmer in Rome in the 1850s. She counters…
"Famous Old Maids," Morning Oregonian, July 19, 1895
The same text as in The Daily Picayne, June 2, 1895, with a different heading.
Credit
19th Century U.S. Newspapers
Featured Item
Charlotte Cushman
Charlotte Cushman becomes widely known on both sides of the Atlantic as the first successful US-American actress. Earlier, she was a singer under the tutelage of James G. Maeder, married to actress Clara Fisher, in Boston. Charlotte has been the sole financial support of her mother since her father…

