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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gossip Columns and Columnists</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The collection stores items related to the question of how gossip was talked about, referenced, and used in nineteenth-century periodicals. It showcases letters, diaries, articles, auto/biographical accounts of relevant journalists as well as exemplary gossip columns and articles. &lt;br /&gt;Visit the &lt;a href="https://www.archivalgossip.com/sources/archives/"&gt;list&lt;/a&gt; of archives from which the archival sources were derived.&lt;br /&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;a href="https://archivalgossip.com/collection/files/original/4a92a43e5ed873676c0588fd6cc4326f.JPG"&gt;&lt;img title="Item Locations" alt="Item Locations" src="https://archivalgossip.com/collection/files/original/4a92a43e5ed873676c0588fd6cc4326f.JPG" style="display: block; margin-left: auto; margin-right: auto;" width="469" height="324.5" /&gt;&lt;/a&gt;(&lt;a href="http://hdlab.stanford.edu/palladio/"&gt;Palladio&lt;/a&gt; visualization, location of items in collection, size nodes)&lt;/div&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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    <name>Article</name>
    <description>A resource consisting primarily of words for reading. Text that is part of a magazine or newspaper. The article may include other formats such as images.</description>
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        <name>Provenance</name>
        <description>What is the source of the piece of information, where is it derived from? E.g. archive (e.g. scans), research notes by a someone who had access to archival material, published (e.g. in an edited version) , citation (e.g. cited in secondary literature)</description>
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            <text>Hathi Trust, &lt;a href="https://hdl.handle.net/2027/njp.32101077276333"&gt;https://hdl.handle.net/2027/njp.32101077276333&lt;/a&gt;. Accessed 16 Aug 2021.</text>
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        <name>Length (range)</name>
        <description>Length of document (word range), e.g. &gt;150, 150-500</description>
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          <elementText elementTextId="11145">
            <text>&gt;1500</text>
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        <name>Location</name>
        <description>The location of the interview</description>
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            <text>London, UK</text>
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      <element elementId="62">
        <name>Geocode (Latitude)</name>
        <description/>
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            <text>51.5073219</text>
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      <element elementId="63">
        <name>Geocode (Longitude)</name>
        <description/>
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          <elementText elementTextId="11150">
            <text>-0.1276474</text>
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        <name>Secondary Texts: Comments</name>
        <description>Secondary sources that have explicitly commented on the respective item or raised important concerns/questions that are of interest</description>
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            <text>&lt;p&gt;“A British reviewer in the London &lt;em&gt;Athenaeum&lt;/em&gt; takes a more sceptical view of Greenwood's 'enthusiasm', however, which he claims has been spread so thin in the course of her travels in Europe that it has been devalued as a 'coinage of admiration' When Greenwood barrels into the homes of British dignitaries, the reviewer contends, she does not get the joke (in conversation with Carlyle) and turns eminent authors into an 'exhibition' for her American reader (at dinner with Dickens). She represents a new class of female writers, 'the wandering sisterhood of the quill from America', who are at once professionally bold and entirely unprofessional in their tactics.” (Eckel 132)&lt;/p&gt;</text>
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        <name>Text</name>
        <description>Any textual data included in the document</description>
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            <text>[...] "Grace Greenwood," if a less conspicuous, is not a less peremptory adorer of England and the English--and of everything that England and the English have taken into favour. Her adoration, we dare say, is quite sincere; we wish we could add, that it is expressed with the modesty which becomes sincere feeling. But the truth must be told:--"Grace Greenwood" is not modest in her admiration. The reader shall judge for himself at once. [...]&lt;br /&gt;Poets lead to politics. Mr. Cobden gives "Grace Greenwood" tea--and Grace Greenwood pays Mr. Cobden back with her usual coinage of admiration. [...] We hope Mr. Cobden is satisfied. Mr. Disraeli gives "Grace Greenwood" nothing; and he is told &lt;em&gt;to&lt;/em&gt; his face--with a variation of the humour for once--that "his face bears no high character, but is cold, politic, subtle in expression." Mr. Hume "is a fine specimen of a true-souled man,"--whatever that may mean--and the Duchess of Sutherland is "the most magnificent of matrons." Here, again, we have admiration poured upon us in a summer shower. [...]&lt;br /&gt;"Grace Greenwood" does not see that in this last instance Mr. Carlyle is quizzing--as his humour is, in such a presence. Satire, however, is a relief after so much silliness. What Mr. Dickens may think of the above exhibition of himself, his family and house we will not pretend to know,--and he himself can say, if he chooses. How Mr. Dickens's guests may like their share in the exhibition the reader will readily surmise. Simple English folks, who do not care to see themselves flaunting in print in such a fashion--though anxious to show all proper courtesy to the representatives of America in England--are hereby made aware at what a price they may receive into their houses the wandering sisterhood of the quill from America.</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>&lt;em&gt;Haps and Mishaps&lt;/em&gt; Review, &lt;em&gt;London Athenaeum&lt;/em&gt;, Nov 18, 1854</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>1854-11-18</text>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>Reference</text>
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          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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              <text>0807</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Criticism</text>
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              <text>Lippincott, Sara Jane (pseudonym: Grace Greenwood), 1832-1904</text>
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              <text>Relationships--Networks</text>
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              <text>Gossip--Published</text>
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              <text>Journalists/Writers</text>
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              <text>England--London</text>
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              <text>Citation of Named Entity</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>The reviewer belittles Greenwood's admiring accounts of well-known people in her &lt;em&gt;Haps and Mishaps of a Tour in Europe&lt;/em&gt;. The author criticizes her for misinterpreting certain conversations.&lt;br /&gt;&#13;
&lt;h3&gt;&lt;strong&gt;Credit&lt;/strong&gt;&lt;/h3&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;a href="https://www.hathitrust.org/"&gt;Hathi Trust&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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              <text>J. Lection</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>Athenaeum</text>
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      <name>gossip--published</name>
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      <name>London</name>
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      <name>press coverage</name>
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    <tag tagId="16">
      <name>respectability</name>
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    <tag tagId="14">
      <name>women's jobs</name>
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