Browse Items (224 total)

  • Tags: travel/touring

Greenwood's "Notes from over the Sea," New York Times, Sep 6, 1875

Greenwood writes this note in Lucerne, on Aug 15, 1875. She reviews some performances she witnessed in England during her travels. She mentions Henry Irving, Isabel Bateman, and Salvini.

Greenwood's "Notes from over the Sea," New York Times, Jan 9, 1876

Greenwood recounts some of her travel experiences from Switzerland. She writes this report in Paris on Dec 20, 1875. Greenwood includes the beautiful scenery, reminiscences of a late friend and the discomforts of her travels.

"Charlotte Cushman," Harper's Weekly, March 4, 1876

1876. Harpers Weekly. Biography + Foreign Gossip Column.pdf
Almost the same wording as in the Harper's Bazar article from Nov 14, 1874. The excerpt also includes the foreign gossip column. Credit American Antiquarian Society

"Charlotte Cushman's First Appearance in England," Harper's Bazaar, March 18, 1876

1876. Harpers Bazar. Cushman in England..pdf
James H. Siddons gives a very intimate account of Charlotte Cushman's rise to success in England and describes her struggles and strategies, including a press network and behind-the-scenes accounts. Maddox is characterized as a capitalist,…

Greenwood's "Notes from over the Sea," New York Times, April 30, 1876

Greenwood reports on her travels through Italy. She fondly remembers her time with Cushman 23 years ago when the group of single ladies was referred to as the "happy family." Greenwood calls Cushman their "chaperone."At the beginning, Greenwood…

Greenwood's "Notes from over the Sea," New York Times, Sep 24, 1876

Greenwood writes this note from La Celle St. Cloud on Aug 28, 1876. She reviews some of the works, ideas, and the atmospere of the French and English salons, the art exhibitions. She also mentions Julian Hawthorne and the wedding anniversary of her…

Biographical sketch of Charlotte Cushman in The New York Dramatic Mirror (published after her death), including a "Hitherto Unpublished Letter"

TULSA_NY Dramatic Mirror. Review of Cushman career. n.d. but after 1876.pdf
This article in The New York Dramatic Mirror offers a short, yet laudatory summary of Cushman's theatrical achievements, praising her "stage life [as] one long triumph, covering a period of many years. Her private life was equally triumphant, as…

"She Wears a Peruke," Hartford Daily Courant, Jan 26, 1877

1877. Hartford Faily Courant. Brewster Column (1).pdf
Brewster reports on her sighting of Eugénie of France at the Vatican. She recounts her shock at the appearance of the Empress, as Brewster had previously known her for her "rare beauty." Especially her peruke aroused outrage among the…

Letter from Geraldine Jewsbury to Emma Stebbins, Feb 6, 1877

CCP Box 11 Jewsbury, Geraldine to Stebbins, Emma. Feb 1877. 3462-3471.pdf
While working on the memoir of Charlotte Cushman, Emma Stebbins has made a request to Jewsbury, asking for her letters from 30 years ago. Although there are no 'secrets' in those letters, Jewsbury seems reluctant to hand them to Stebbins. The…

"Charlotte Cushman," Chicago Tribune, June 22, 1878

This review laments that Emma Stebbins's biography of Charlotte Cushman lacks a proper account of Cushman's dramatic career and instead focuses too much on her private life. Emma Stebbins first met Cushman in Rome and the "two ladies soon became…

Anne Brewster's "Miss Cushman," Blackwood's Edinburgh Magazine, Aug 1878

1878. August. Blackwoods Magazine. Brewster about CC Omeka.pdf
Anne Brewster describes the relationship between herself and Charlotte Cushman starting at the beginning of the 1840s as an "intimacy" and "intimate friendship". Together they were reading plays and preparing for Charlotte's performances on stage.…

The Graphic, Review of Stebbins's Cushman Biography, Sept. 28, 1878

Review of Stebbins Biography, Graphic, 28 Sept. 1878..pdf
The Graphic contributes a positive review of Stebbins's biography of Charlotte Cushman and values its insights into Cushman's domestic life. Credit 19th Century U.S. Newspapers

"How Charlotte Cushman Came to Play 'Nancy Sykes,'" The Superior Times, Oct 26, 1878

1878. Superior_Times_Sat__Oct_26.pdf
The reprint from Brewster's article for the Boston Advertiser speaks to Cushman’s performance as Nancy Sykes before she went to England. It is a glowing review and covers Cushman’s financial precarity and beginning of her career. The article is…

Greenwood's "Notes from over the Sea," New York Times, Dec 9, 1878

This note is written in Paris on Nov 21, 1878. Greenwood reports her experiences during a fair in Paris and criticizes one of Sarah Bernhardt's roles on stage, which she compares with Charlotte Cushman's Meg Merilies.

Frances Elizabeth Willard's A Woman of the Century (1893)

Willard's collective biography includes, among others, an entry about Cushman and summarizes her career. Credit archive.org

Excerpt from De Navarro's "The Girlhood of an Actress," North American Review (1895)

De Navarro remembers her first and last encounter with Charlotte Cushman who encouraged her to pursue a stage career.Even before this account is published, Frances Elizabeth Willard informs in her A Woman of the Century (1893) that "[b]y the advice…

"An Episode in Virginia," Boston Herald, Jul 25, 1897

LewisLillian-Boston_Herald_1897-07-25_28.pdf
An account of an "exciting" incident during her time in Brandy and Culpepper, Virginia, written by Lillian A. Lewis. Credit Boston Public Library

Strang's Players and Plays of the Last Quarter Century (1902)

Strang's Players and Plays of the Last Quarter Century (1902) p. 226f..JPG
Strang deems Stebbins's biography of Charlotte Cushman to be untrue in parts. Strang gives a detailed account of Cushman's performances and describes Macready as a decisive factor in Cushman's career, the major career boost. Credit Hathi Trust

Emma Crow Cushman's Memoir about Charlotte Cushman: "A Memory" (1918)

CCP 15, 4019-4036 (ECC Memoir).pdf
Emma Crow Cushman emphasizes that she knew Charlotte Cushman "intimately." Emma and Charlotte met in 1858 when Charlotte brought two letters of introduction (by Hosmer and Kemble) to her father in St. Louis. Emma describes her as a "great artist and…