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Letter from Helen Hunt to Charlotte Cushman, Oct 28, 1874
Helen Hunt is unsure of whether Charlotte Cushman received her note in Boston, since she did not know the exact address. Helen Hunt mentions that Cushman is leaving for California and Hunt inquires about when exactly that will be, being optimistic…
Final New York Performance on Nov 7, 1874
Charlotte Cushman performs for Booth's Theater in New York for the last time. She acts as Lady Macbeth on stage together with George Vandenhoff among others.
Credit
Newspaper.com(article only attached as illustration)
Letter from Emma Stebbins to Emma Crow Cushman, Nov 23, 1874
Stebbins writes that the newspapers have been writing "exaggerated reports" about Cushman, which have been causing her great anxiety. An unfavorable paragraph about Cushman will appear in the Cincinnati Enquirer the following morning, which they have…
Mrs. Walker's Reminiscences of the Life of the World-Renowned Charlotte Cushman (1876)
The biography traces Cushman's successful career and mentions many business partners and friends. However, it excludes every references to Cushman's same-sex relationships. It is published after Charlotte Cushman's death.The Cushman-Macready-…
Transcript of Letter from Emma Stebbins to Sidney Lanier, Jan 11, [1876]
Emma Stebbins confesses to Lanier that she felt helpless due to Cushman's illness progression but her state of health seems to be improving.This impression soon proved to be deceptive as Charlotte Cushman dies in February 1876.Stebbins describes her…
Boston Daily Advertiser, Charlotte Cushman, Feb 19, 1876
The article is an obituary published one day after Cushman's death. It praises the actress and her achievements and performances. Additionally, it speaks about Cushman's relationships with women as her "power of attaching women to her."In 1871,…
Letter from Adeline Manning to Anne Whitney, Mar 2, 1876
Adeline Manning expresses to Anne Whitney her satisfaction about the posthumous praise of Charlotte Cushman. Credit
Wellesley College Archives, Papers of Anne Whitney (MSS.4): Correspondence. 56.
Letter from Adeline Manning to Anne Whitney, Mar 12, 1876
Adeline manning, painter, writes to her partner Anne Whitney about Rev. Dr. Bartol's sermon on Charlotte Cushman (see also Emma Stebbins' memoir, p. 292-293)
Credit
Wellesley College Archives, Papers of Anne Whitney (MSS.4): Correspondence. 57.
Tags: public image (active)
"Charlotte Cushman's First Appearance in England," Harper's Bazaar, March 18, 1876
James H. Siddons gives a very intimate account of Charlotte Cushman's rise to success in England and describes her struggles and strategies, including a press network and behind-the-scenes accounts.
Maddox is characterized as a capitalist,…
Stebbins's Charlotte Cushman: Her Letters and Memories of Her Life (1878)
Biography of Charlotte Cushman, written after her death by her spouse Emma Stebbins. The transcribed correspondence between Stebbins and Sidney Lanier (who had originally been chosen as the author of the biography) details the painstaking process of…
Letter from Emma Stebbins to Anne Whitney, June 19, 1878
Emma Stebbins responds to Anne Whitney's reaction to reading Charlotte Cushman: Letters and Memories of Her Life.
Credit
Wellesley College Archives, Papers of Anne Whitney (MSS.4): Correspondence. 2010.
Letter from Emma Stebbins to Anne Whitney, July 6, 1878
Emma Stebbins thanks Anne Whitney for her kind words about the Cushman-memoir and mentions the letters of praise she has received about the book. Stebbins also asks for information about Dr. Mitchell, famous for his rest cure, and the charges…
Anne Brewster's "Miss Cushman," Blackwood's Edinburgh Magazine, Aug 1878
Anne Brewster describes the relationship between herself and Charlotte Cushman starting at the beginning of the 1840s as an "intimacy" and "intimate friendship". Together they were reading plays and preparing for Charlotte's performances on stage.…
Annie Fields's James T. Fields. Biographical Notes and Personal Sketches (1881)
Annie Fields mentions Cushman "a woman of great energy and ability" who aimed at "forwarding her own plans or those of others in whom she was interested."
Credit
Hathi Trust
"Our Literary Women" and "Personal," The Freeman, Jan 5, 1889
This excerpt from The Freeman shows, on the left, a feature on "The Literary Colored Women of America" written by Gertrude Mossell (including illustrations of Josephine Heard, Ida B. Wells, Mary Ella Mossell, and Francis Ellen Watkins Harper) and, on…
Letter from Byron Smith to Unknown, Aug 31, 1894[?]
Talking of Charlotte Cushman, Emma Stebbins and Sallie Mercer, Smith mentions several letters and notes, among which are some that were destroyed by him. Byron also mentions Sallie Mercer's (recent?) death. CreditLibrary of Congress, Charlotte…
Stillman's The Autobiography of a Journalist (1901), Vol. 1
Charlotte Cushman is mentioned on pages 359-365.Cushman and her "clique" (365) included Miss Stebbins, Harriet Hosmer, "and one or two others of lesser fame" (359).He states that she used her fame or even Stillman (critic) to denounce other sculptors…
Copied Correspondence by Harold Moulton sent to Jennie Lorenz, Sept 25, 1950
Harold Moulton sends photostatic copies of two autographed letters to Lorenz. Lorenz requested material relating to Charlotte Cushman.The first letter is from Charlotte Cushman to Mrs Sarah J. Hale, Editor of “Lady’s Book” (Philadelphia). Cushman…
Edmund Burke Fisher
Fisher works as an editor and writer, for the New Yorker among others. He regularly presents himself as an admirer and suitor of Cushman. He actively shapes her career by facilitating business contacts and expanding Cushman social capital.
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Charlotte Cushman
Charlotte Cushman becomes widely known on both sides of the Atlantic as the first successful US-American actress. Earlier, she was a singer under the tutelage of James G. Maeder, married to actress Clara Fisher, in Boston. Charlotte has been the sole financial support of her mother since her father…