Browse Exhibits (7 total)

Gossip in Black Periodicals

BPL_The Boston Advocate_Dec 4 1886-7 - Massachusetts Newspapers, 1704-1974 - MyHeritage. They Say.pdf

Gossip might seem too frivololous a topic for Black periodicals during the era of Civil War and Reconstruction. A closer look at these sources, however, reveals a diversity of content and of voices that belies any preconceived notion of a "single issue" Black press focused first on abolitionism and then Jim Crow. Instead, gossip, social news, and travel reports can be found across a wide spectrum of Black periodicals (here defined as those run by a majority Black staff and written primarily for Black readers), complementing political editorials, international news, and advice features. Gossip and its equivalents allowed editors and journalists to entertain, eduate, and inspire their readers by sharing achievements and missteps, often presented with personal commentary, humor, or moral judgement – as would be typical of oral gossip shared. This exhibit highlights some of the central publications, columns, and journalists (e.g. Lillian A. Lewis) who relied on gossip and related forms of writing that crossed that public/private boundary and thus enhanced the community-building aspect of postbellum Black periodicals.

They Say in Boston Advocate

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Gossip and/as Foreign Correspondence

AB gossips in Lippincotts.pdf

This exhibit gathers items related to the presentation "’Interesting to the Ladies’: How Foreign Correspondents Made Gossip a Profession" for the Speculative Endeavors Conference (Oct 21-23, 2021). They serve as a basis to contextualize, analyse, visualize, and link documents and people relevant to the question of how gossip becomes a profession for white women in the mid-nineteenth century. The focus is on the transatlantic careers of Grace Greenwood and Anne Hampton Brewster.

For further context, you can read our conference report here.

Item Locations(Palladio visualization, location of items in "Gossip Columns and Columnists" collection, size nodes)

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Public Image of Charlotte Cushman

Boston Evening Transcript, October 31, 1843, page 2 - false report - annotated.pdf

The items aligned here in various subcategories range from negative to favorable accounts and display the results of and threats to Charlotte Cushman's reputation management. The exhibit also comprises retrospective accounts that were published after Cushman's death in 1876.

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Memoirs and Biographies

Stebbins Bio.JPG

After Charlotte Cushman's death, newspaper articles and various memoirs change her public image by emphasizing certain aspects of her life (such as a narrative of Cushman as a heterosexual spinster) and leaving out others (such as personal motivation for taking on breeches roles). This exhibit collects the most influential of these posthumous accounts and thereby offers crucial insights into developing discourses of gender and sexuality.

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Final Farewell Tour

Cushmania - CCP 19 - press coverage - newspaper clippings.JPG

Charlotte Cushman starts her final farewell tour in the US in 1874 after a series of dramatic readings between 1871-1874.  A series of performances in the UK and the US in 1851/52 were also called "farewell" engagements.

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1857: Cushman's Breakup with Hays

Cabinet Photo of Cushman and Hays

This exhibit revolves around accounts of the romantic and passionate relationship between Matilda Hays and Charlotte Cushman in the 1850s and their breakup in 1857. After Cushman's rise to success in the 1840s, she carefully watches her public image which involved keeping her same-sex relationships private. The exhibit devotes attention to the (lack of) archival material that provides insights into this period of Cushman's life.

For a blog post about this event which also inquires the  intracacies of gossip as uncertain knowledge, please visit historyofknowledge.net.

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Transatlantic Success in the 1840s

Boston Evening Transcript, December 14, 1843, page 2 - annotated.pdf

During the 1840s, Charlotte Cushman becomes a successful actress known across the Atlantic. After struggling financially, she establishes a reputation as the first gifted American actress who succeeds at performing different gender roles on stage. This exhibit provides an overview over press coverage as well as personal material concerning this crucial moment in Cushman's career.

There are numerous articles published both in the US and England for the years 1845-1852. Among these articles, various reports are reprints. The sections in which these articles can be found are called "private correspondence," "intelligence," "gossip," and theater-related columns.

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