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Transcripts of Letters from Emma Stebbins to Sidney Lanier, July 27 + Sept 4, 1876
Emma Stebbins asked the publisher Mr. Osgood for time to work on the biography since she is suffering from health issues. She mentions Emma Cushman's "voluminous correspondence" with Charlotte Cushman and how personal letters require "careful…
Transcripts of Letters from Emma Stebbins to Sidney Lanier, Sept 21, [1875] & Oct 7, 1875
Emma Stebbins calls Charlotte Cushman "our Regina," like Helen Hunt, and writes about the obstacles that Cushman is facing, also in terms of health issues. Cushman's health has been improving.Lanier seems to be lonely and has suffered from health…
Tags: auto/biography, social capital
Transcripts of Letters from Emma Stebbins to Sidney Lanier, Sept 23 + Feb 14, [1876]
Emma Stebbins reimburses Lanier for his investements relating to the biography of Charlotte Cushman and attempts to get the money for the payment of Osgood (publisher of memoir) from the trusties of Cushman's estate. Ned and the Cushman family miss…
Two Partial Transcripts of Letters from Charlotte Cushman to Sidney Lanier, Jan 11 & Feb 6 1876
Charlotte Cushman writes these letters shortly before she dies. She is very ill and the doctors say that treatment has culminated. Under the impression of constant pain, her lines indicate that she has come to terms with death that is about to…
Vandenhoff's Leaves from an Actor's Note-Book; With Reminiscences and Chit-Chat of the Green-Room and the Stage, in England and America (1860)
Same text but different page no. published as Dramatic Reminiscences; or, Actors and Actresses in England and America (1860, London, T. W. Cooper).The autobiographical text was translated by A. v. Winterfeld and published in German as Blätter aus dem…
Wallack's Memories of Fifty Years (1889)
Wallack presents himself grateful to Charlotte Cushman who was supportive of him as an actor.
Credit
Hathi Trust
Tags: admirers, social capital
Waters' Charlotte Cushman (1882)
The biography is part of an American Actor Series. It focuses on Cushman's stage career and includes letters, lists of performances and casts, advertisements of Cushman's performances, as well as articles. The Fields are, for instance, not mentioned.…
Wayman Crow
Wayman Crow was a St. Louis businessman, who also served as the financial advisor for Harriet Hosmer and Charlotte Cushman. Crow is the father of Emma Crow Cushman (who falls in love with Cushman, after seeing her perform as Romeo in St. Louis, and…
Wemyss's Twenty-Six Years of the Life of an Actor and Manager (1847)
Francis Courtney Wemyss is an actor and theater manager. The entry for Cushman envisions her as a business woman that cleverly paved her way to success by acquiring knowledge about the profession of an actress and the respective people involved in…
William Charles Macready
Macready and Cushman meet in 1843. The relationship between Macready and Cushman is displayed in an exhibit.On July 10, 1848, he takes a farewell benefit at Drury Lane, and Charlotte Cushman performs as Queen Katharine to his Wolsey.
William Wetmore Story
William Wetmore Story is critical of CC and her circle, Lisa Merrill describes him as Cushman's "adversary" (Merrill, When Romeo Was a Woman, p. 231). He is US consul in Rome before Cushman's nephew Ned Cushman takes over after Lincoln's re-election.…
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Charlotte Cushman
Charlotte Cushman becomes widely known on both sides of the Atlantic as the first successful US-American actress. Earlier, she was a singer under the tutelage of James G. Maeder, married to actress Clara Fisher, in Boston. Charlotte has been the sole financial support of her mother since her father…

