Browse Items (972 total)

Letter from Bellew to Charlotte Cushman, March 16, 1856

The author of that letter accuses Matilda Hays of a "scheme" to end the friendship between the writer and Charlotte Cushman but spreading false information which is described as 'perverting' the author's conduct. Hays is called Cushman's…

Copied Correspondence by Harold Moulton sent to Jennie Lorenz, Sept 25, 1950

Harold Moulton sends photostatic copies of two autographed letters to Lorenz. Lorenz requested material relating to Charlotte Cushman.The first letter is from Charlotte Cushman to Mrs Sarah J. Hale, Editor of “Lady’s Book” (Philadelphia). Cushman…

Strang's Players and Plays of the Last Quarter Century (1902)

Strang deems Stebbins's biography of Charlotte Cushman to be untrue in parts. Strang gives a detailed account of Cushman's performances and describes Macready as a decisive factor in Cushman's career, the major career boost. Credit Hathi Trust

Excerpts from Brander Matthews's Edwin Booth and His Contemporaries (1900)

Biographical sketch by Clara Erskine Clement with excerpts from articles and biographiesCredit Hathi Trust

James Parton's Eminent Women of the Age (1869)

Eminent Women was written by James Parton, Horace Greeley, T.W. Higginson, J. C. Abbott, William Winter, Theodore Tilton, Prof. James M. Hoppin, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, and others that are not listed.Greeley founded the New…

The Graphic, Review of Stebbins's Cushman Biography, Sept. 28, 1878

The Graphic contributes a positive review of Stebbins's biography of Charlotte Cushman and values its insights into Cushman's domestic life. Credit 19th Century U.S. Newspapers

Edmonia Lewis

Edmonia Lewis is among the many prolific US American women sculptors who chose Italy as their home in the 1850s to 1870s. Yet unlike her contemporaries, Lewis is of Black and Native American (Chippewa) descent – a topic repeatedly addressed by…

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Sidney Lanier

Charlotte Cushman frequently writes to Lanier before she dies in February 1876. Initially, Emma Stebbins and Lanier work together on a biography about Cushman before they disagree about the publishing process and some miscommunication leads to their…

Letter from Unknown (Private) to Charlotte Cushman, Mar 23, 1868

Credit Library of Congress, Charlotte Cushman Papers, Manuscript Division, Library of Congress, Washington, D.C.

Fan Letter[?] of Schull H. to Charlotte Cushman

Credit Library of Congress, Charlotte Cushman Papers, Manuscript Division, Library of Congress, Washington, D.C.

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Henry Cushman's A Historical and Biographical Genealogy of the Cushmans (1855)

The entry about Charlotte Cushman spreads across 15 pages. It quotes several accounts of the press, without, however, giving any sources. It is overwhelmingly positive and portrays Charlotte as a noble, ambitious, hard-working, and gifted actress.The…

Cushman's first professional appearance as Countess Almaviva in The Marriage of Figaro, April 1835

On April 8, 1835, Cushman made her debut on the stage at the Tremont Theatre in Boston in the role of Countess Almaviva in The Marriage of Figaro. While Cushmam's performance seemingly betrayed her nerves, contemporary reviews praised her…

Boston Daily Advertiser, Charlotte Cushman, Feb 19, 1876

The article is an obituary published one day after Cushman's death. It praises the actress and her achievements and performances. Additionally, it speaks about Cushman's relationships with women as her "power of attaching women to her."In 1871,…

Wemyss's Twenty-Six Years of the Life of an Actor and Manager (1847)

Francis Courtney Wemyss is an actor and theater manager. The entry for Cushman envisions her as a business woman that cleverly paved her way to success by acquiring knowledge about the profession of an actress and the respective people involved in…