Browse Items (972 total)

Pennsylvania Inquirer and National Gazette, Sept 30, 1843

Writers for the Knickerbocker; Lines to Fitz Greene Halleck on reading "Forget-Me-Not" by Charlotte Cushman reprinted in the Inquirer taken from the Knickebocker;The paper stresses how the lines about someone else still honor the author more than the…

Pennsylvania Inquirer and National Gazette, Sept 08, 1843

Category News: Chestnut Street Theatre reopened with Cushman as manager Credit 19th Century U.S. Newspapers

The New York Herald, May 15, 1843

In the section Letter to the Editor, Philadelphia, written by Thorax.The article mentions the entrance fee sum for the Walnut theater. Credit 19th Century U.S. Newspapers

Pennsylvania Inquirer and National Gazette, Feb 1, 1843

Published in the category of communication, signed by "E."The article mentions the genius of Cushman as well as the struggle of the theater profession to gain public appreciation. Interestingly, the article speaks about Cushman's "private worth" that…

The New York Herald, Jan 15, 1843

The articles praises a recent performance at the Walnut theater, highlighting especially "our amiable Charlotte." Credit 19th Century U.S. Newspapers

New York Herald, Tuesday, Jan 3, 1843.

Letter to the editor section, reports by New York Herald correspondent Ariel in Baltimore section Credit 19th Century U.S. Newspapers

Letter from Thomas Colley Grattan to Charlotte Cushman, n.d. [1843]

The letter has no date on it but is addressed to Cushman in Philadelphia and talks about her performing together on stage with Macready in New York and Philadelphia, which suggests that the letter could be written in fall 1843. Thomas Grattan regrets…

"Pistols for Two", Freeman's Journal, Dec 22, 1842

This article describes an antagonistic relationship between Charlotte Cushman and Madame Celeste. It indicates that an intellectual duel between the two could be anticipated. Credit The British Library Newspapers, Gale Digital Collections

"Gossiping," National Anti-Slavery Standard, Apr 22, 1841

This article is a social commentary about gossip, where the author believes that "[t]he most prevailing fault of conversation in our country, and, I believe in all social communities, is gossiping." Credit Readex: African American Newspapers

Letter from Charlotte Cushman to Mrs Creswick, Feb 7, 1841

This is the second letter included in the correspondence between Harold Moulton and Jennie Lorenz. In this letter from Charlotte Cushman to Mrs Creswick in Boston, Cushman voices her concern about various theatres which are struggling financially.…

Letter from Charlotte Cushman to Mr. Harrington, July 15, 1840

Charlotte Cushman asks for "something theatrical of a good prose article" about one of Felicia Hemans's letters to be published in Burton's Magazine. Credit Boston Public Library

"Editors' Table," Godey's Lady's Book, Jan 1840 to Dec 1877

"Editor's Table" is a column in Godey's Lady's Book that covers a vast variety of topics, often relating to women's issues in some way. Recurring topics include book recommendations and literary reviews, short biographies of public figures and…

Letter from E. B. Fisher to Charlotte Cushman, Oct 8, [1836]

Fisher describes himself as an unworthy correspondent to Charlotte Cushman. He praises her talent as an actress and apologizes for past mistakes without specifying what he is talking about. He agrees to her request that they should not meet…

Letter from E. B. Fisher to Charlotte Cushman, Oct 7, 1836

Fisher asks Charlotte Cushman to refrain from contacting him again. He expresses a firmly rooted disappointment in and aversion to society ("a scandal loving world"). Fisher touches upon an issue of Cushman being involved ("intimacy") with the…

Letter from E. B. Fisher to Charlotte Cushman, Sept 13, 1836

Fisher presents himself as a great admirer of Charlotte Cushman. He offers her his 'services' in terms of press coverage, e.g. in the Philadelphia papers, and supporting her in her career ambitions. Credit Library of Congress, Charlotte Cushman…

Baltimore Gazette and Daily Advertiser, April 17, 1835

One of the earliest public notices of Charlotte Cushman's performances: A short notice of her first professional appearance in the opera The Marriage of Figaro (April 1835 in Boston). The article mentions that "Mrs Wood had expressed herself [...]…

Cushman's first professional appearance as Countess Almaviva in The Marriage of Figaro, April 1835

On April 8, 1835, Cushman made her debut on the stage at the Tremont Theatre in Boston in the role of Countess Almaviva in The Marriage of Figaro. While Cushmam's performance seemingly betrayed her nerves, contemporary reviews praised her…

Letter from Charlotte Cushman to Sarah Josepha Hale, Sep 22, 1830

Harold Moulton sends photostatic copies of two autographed letters to Lorenz in this correspondence. For the transcription of the second letter, see Item 1020.The first letter is from Charlotte Cushman to Mrs Sarah J. Hale, Editor of “Lady’s Book”…